{"id":105,"date":"2016-02-01T04:12:43","date_gmt":"2016-02-01T09:12:43","guid":{"rendered":"http:\/\/baquiana.com\/bookstore\/?post_type=product&#038;p=94"},"modified":"2021-10-11T21:46:52","modified_gmt":"2021-10-12T01:46:52","slug":"revista-literaria-baquiana-anuario-i-1999-2000","status":"publish","type":"product","link":"https:\/\/www.baquiana.com\/bookstore\/product\/revista-literaria-baquiana-anuario-i-1999-2000\/","title":{"rendered":"REVISTA LITERARIA BAQUIANA &#8211; ANUARIO I (1999-2000)"},"content":{"rendered":"<h1>\u00cdndice<\/h1>\n<h3>Poes\u00eda<\/h3>\n<p><strong>\u00a7\u00a0Jes\u00fas J. Barquet \/\u00a01<\/strong><br \/>\n<strong>\u00a7\u00a0Emilio Bejel \/\u00a01<\/strong><br \/>\n<strong>\u00a7\u00a0Liliana Cadavid \/\u00a04<\/strong><br \/>\n<strong>\u00a7\u00a0Isabel D\u00edez Serrano \/\u00a05<\/strong><br \/>\n<strong>\u00a7\u00a0Fernando Escobar Giraldo \/\u00a06<\/strong><br \/>\n<strong>\u00a7\u00a0Claudio Ferrari \/\u00a010<\/strong><br \/>\n<strong>\u00a7\u00a0Max E. Figueroa Esteva \/\u00a011<\/strong><br \/>\n<strong>\u00a7\u00a0Fernando Garc\u00eda Sevilla \/\u00a011<\/strong><br \/>\n<strong>\u00a7\u00a0Maya Islas \/\u00a013<\/strong><br \/>\n<strong>\u00a7\u00a0Mireya Krisp\u00edn \/\u00a013<\/strong><br \/>\n<strong>\u00a7\u00a0Mar\u00eda Luisa L\u00e1zzaro \/\u00a015<\/strong><br \/>\n<strong>\u00a7\u00a0Manuel Roberto Leon\u00eds Ru\u00edz \/\u00a016<\/strong><br \/>\n<strong>\u00a7\u00a0F\u00e9lix Liz\u00e1rraga \/\u00a017<\/strong><br \/>\n<strong>\u00a7\u00a0Alejandro Lorenzo \/\u00a018<\/strong><br \/>\n<strong>\u00a7\u00a0Teonilda Madera \/\u00a019<\/strong><br \/>\n<strong>\u00a7\u00a0Irene Mayoral \/\u00a019<\/strong><br \/>\n<strong>\u00a7\u00a0Pablo Montanaro \/\u00a020<\/strong><br \/>\n<strong>\u00a7\u00a0Mabel Moyano \/\u00a021<\/strong><br \/>\n<strong>\u00a7\u00a0Ylonka Nacidit Perdomo \/\u00a022<\/strong><br \/>\n<strong>\u00a7\u00a0Iv\u00e1n Nossa Cardona \/\u00a022<\/strong><br \/>\n<strong>\u00a7\u00a0Eliana Onetti \/\u00a023<\/strong><br \/>\n<strong>\u00a7\u00a0Martha Padilla \/\u00a025<\/strong><br \/>\n<strong>\u00a7\u00a0Jos\u00e9 Mar\u00eda Pi\u00f1eiro Guti\u00e9rrez \/\u00a026<\/strong><br \/>\n<strong>\u00a7\u00a0Mireya Robles \/\u00a027<\/strong><br \/>\n<strong>\u00a7\u00a0Linda Mar\u00eda Rodr\u00edguez Guglielmoni \/\u00a028<\/strong><br \/>\n<strong>\u00a7\u00a0Mauricio Saldarriaga \/\u00a029<\/strong><br \/>\n<strong>\u00a7\u00a0Loreina Santos Silva \/\u00a030<\/strong><br \/>\n<strong>\u00a7\u00a0Nidia Tir\u00fa Torres \/\u00a031<\/strong><br \/>\n<strong>\u00a7\u00a0Jos\u00e9 Vegara Dur\u00e1 \/\u00a032<\/strong><br \/>\n<strong>\u00a7 Jos\u00e9 Luis Zer\u00f3n Huguet \/\u00a033<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h3>Rese\u00f1a<\/h3>\n<p><strong>\u00a7 LA MUERTE DEFINITIVA DE <em>PEDRO EL LARGO<\/em>, DE MIREYA ROBLES<br \/>\n<\/strong>por Leonardo Fern\u00e1ndez Marcan\u00e9 \/<strong> 35<\/strong><\/p>\n<p><strong>\u00a7 MANUEL ROBERTO LEON\u00cdS Y LA IMPRONTA DE SUS HUELLAS<br \/>\n<\/strong>por Jos\u00e9 Antonio Albertini \/<strong> 37<\/strong><\/p>\n<p><strong><i>\u00a7 <\/i>UN POEMA DEL RETORNO DE ALEJANDRO LORENZO<br \/>\n<\/strong>por Madeline C\u00e1mara \/<strong> 39<\/strong><\/p>\n<p><strong>\u00a7\u00a0HOSTILIDAD, LUCHA Y VIOLENCIA EN <em>TEMOR ROJIZO<\/em> DE TEONILDA MADERA<br \/>\n<\/strong>por Miriam Gonz\u00e1lez-Hern\u00e1ndez \/<strong> 41<\/strong><\/p>\n<p><strong>\u00a7 HORTENSIA MUNILLA Y LOS P\u00c9TALOS DE LA POES\u00cdA<br \/>\n<\/strong>por Jos\u00e9 Antonio Albertini \/<strong> 45<br \/>\n<\/strong><\/p>\n<p><strong>\u00a7 JES\u00daS BARQUET O EL ETERNO NAUFRAGIO<br \/>\n<\/strong>por Odette Alonso \/<strong> 48<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3>Cuento<\/h3>\n<p><strong>\u00a7 CALLE CARIBE<br \/>\n<\/strong>por Aurora Arias \/<strong> 53<\/strong><\/p>\n<p><strong>\u00a7 KIMBANDA<br \/>\n<\/strong>por Luis Marcelino G\u00f3mez \/<strong> 56<\/strong><\/p>\n<p><strong>\u00a7 BLANCA COMO LA NIEVE<br \/>\n<\/strong>por Ofelia Mart\u00edn Hudson \/<strong> 59<\/strong><\/p>\n<p><strong>\u00a7 A DOS TONOS<br \/>\n<\/strong>por Maricel Mayor Mars\u00e1n \/<strong> 62<\/strong><\/p>\n<p><strong>\u00a7 LA MUERTE ES M\u00c1S CRUEL SI OCURRE EN SUELO AJENO<br \/>\n<\/strong>por Teonilda Madera \/<strong> 67<\/strong><\/p>\n<p><strong>\u00a7 SILENCIO<br \/>\n<\/strong>por Miriam M. Gonz\u00e1lez-Hern\u00e1ndez \/<strong> 70<\/strong><\/p>\n<p><strong>\u00a7 EL GENERAL<br \/>\n<\/strong>por Mauricio Saldarriaga \/<strong> 72<\/strong><\/p>\n<p><strong>\u00a7 EL SUE\u00d1O<br \/>\n<\/strong>por Jorge Z\u00fa\u00f1iga-Pavlov \/<strong> 79<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3>Ensayo<\/h3>\n<p><b>\u00a7 LA VARIACI\u00d3N: PIEDRA DE TOQUE DE LA LING\u00dc\u00cdSTICA\u00a0TE\u00d3RICA, DESCRIPTIVA Y APLICADA <\/b><br \/>\npor Max E. Figueroa Esteva \/<strong> 81<\/strong><\/p>\n<p><strong>\u00a7 PIENSO CANTAR D\u00cdA DOMINGO: A 32 A\u00d1OS DEL SUICIDIO DE VIOLETA PARRA<br \/>\n<\/strong>por Paula Miranda \/<strong> 89<\/strong><\/p>\n<p><strong>\u00a7 SALOM\u00c9 URE\u00d1A DE HENR\u00cdQUEZ: TRASCENDENCIA LITERARIA Y SOCIAL DE SU OBRA<br \/>\n<\/strong>por Ren\u00e9 C. Izquierdo \/<strong> 92<\/strong><\/p>\n<p><strong>\u00a7 EL ESPA\u00d1OL DE CUBA A TRAV\u00c9S DE LA HISTORIA, LA GEOGRAF\u00cdA Y LA SOCIEDAD<br \/>\n<\/strong>por Luis Roberto Choy L\u00f3pez \/<strong> 96<\/strong><\/p>\n<p><strong>\u00a7 GERTRUDIS G\u00d3MEZ DE AVELLANEDA Y EL ROMANTICISMO EUROPEO<br \/>\n<\/strong>por Leonardo Fern\u00e1ndez Marcan\u00e9 \/<strong> 103<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3>Entrevista<\/h3>\n<p><strong>\u00a7 ENTREVISTA A LA ARTISTA PL\u00c1STICA ANA MAR\u00cdA LEON\u00cdS TEROL<br \/>\n<\/strong>por Patricio E. Palacios \/<strong> 112<\/strong><\/p>\n<p><strong>\u00a7 ANA I. QUIR\u00d3S (PINTORA COSTARRICENSE)<br \/>\n<\/strong>por Patricio E. Palacios \/<strong> 116<\/strong><\/p>\n<p><strong>\u00a7 BARBARA RUEDA (PINTORA CUBANA)<br \/>\n<\/strong>por Patricio E. Palacios \/<strong> 121<\/strong><\/p>\n<p><strong>\u00a7 ENTREVISTA A LA BAILARINA CL\u00c1SICA ISMELLY ECHAVARR\u00cdA<br \/>\n<\/strong>por Maricel Mayor Mars\u00e1n \/<strong> 126<\/strong><\/p>\n<p><strong>\u00a7 HABLANDO CON EL PINTOR CUBANO GILBERTO MARINO<br \/>\n<\/strong>por Patricio E. Palacios \/<strong> 129<\/strong><strong><br \/>\n<\/strong><\/p>\n<p><strong>\u00a7 CONVERSANDO CON P\u00cdO SERRANO<br \/>\n<\/strong>por Luis De la Paz \/ <strong>135<\/strong><\/p>\n<p><strong>\u00a7 ENTREVISTA AL ESCRITOR ESPA\u00d1OL JOS\u00c9 LUIS ZER\u00d3N HUGUET<br \/>\n<\/strong>por Maricel Mayor Mars\u00e1n \/<strong> 138<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h3>Narrativa<\/h3>\n<p><strong>\u00a7 HELEN MARTINS (MEMORIAS DE SUD\u00c1FRICA)<br \/>\n<\/strong>por Mireya Robles \/<strong> 150<\/strong><\/p>\n<p><strong>\u00a7 EP\u00cdLOGO DE UNA VIDA<br \/>\n<\/strong>por Edson Cruz \/<strong> 157<\/strong><\/p>\n<p><strong>\u00a7 CARTAS A LA NOCHE: CINCO VI\u00d1ETAS DE SUE\u00d1OS<br \/>\n<\/strong>por Myrna Nieves \/<strong> 167<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3>Opiniones<\/h3>\n<p><strong>\u00a7 ANA ROSA N\u00da\u00d1EZ, UNA P\u00c1GINA DE AYER (HOMENAJE P\u00d3STUMO)<br \/>\n<\/strong>por \u00c1ngel Cuadra \/<strong> 170<\/strong><\/p>\n<p><strong>\u00a7 ENTRENADOS PARA LA VIOLENCIA<br \/>\npor Sabrina Rom\u00e1n \/ 172<\/strong><\/p>\n<p><strong>\u00a7 RECUENTO SOBRE LA D\u00c9CIMA IMPROVISADA Y LA D\u00c9CIMA ESCRITA<br \/>\n<\/strong>por Francisco Henr\u00edquez \/<strong> 174<\/strong><\/p>\n<p><strong>\u00a7 EL BOOM DE LA NARRATIVA FEMENINA CUBANA AL FIN DEL MILENIO<br \/>\n<\/strong>por Maricel Mayor Mars\u00e1n \/<strong> 179<\/strong><\/p>\n<p><strong>\u00a7 RA\u00cdCES DEL ARTE NORTEAMERICANO<br \/>\n<\/strong>por B\u00e1rbara Rueda \/<strong> 182<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3>Teatro<\/h3>\n<p><strong>\u00a7 TEMOR ROJIZO<br \/>\n<\/strong>por Teonilda Madera \/<strong> 184<\/strong><\/p>\n<p><strong>\u00a7 BLANCOS POSANDO<br \/>\n<\/strong>por Luis Cano \/<strong> 198<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00cdndice Poes\u00eda \u00a7\u00a0Jes\u00fas J. Barquet \/\u00a01 \u00a7\u00a0Emilio Bejel \/\u00a01 \u00a7\u00a0Liliana Cadavid \/\u00a04 \u00a7\u00a0Isabel D\u00edez Serrano \/\u00a05 \u00a7\u00a0Fernando Escobar Giraldo \/\u00a06 \u00a7\u00a0Claudio Ferrari \/\u00a010 \u00a7\u00a0Max E. Figueroa Esteva \/\u00a011 \u00a7\u00a0Fernando Garc\u00eda Sevilla \/\u00a011 \u00a7\u00a0Maya Islas \/\u00a013 \u00a7\u00a0Mireya Krisp\u00edn \/\u00a013 \u00a7\u00a0Mar\u00eda Luisa L\u00e1zzaro \/\u00a015 \u00a7\u00a0Manuel Roberto Leon\u00eds Ru\u00edz \/\u00a016 \u00a7\u00a0F\u00e9lix Liz\u00e1rraga \/\u00a017 \u00a7\u00a0Alejandro Lorenzo \/\u00a018 \u00a7\u00a0Teonilda Madera [&hellip;]<\/p>\n","protected":false},"featured_media":82,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_cat":[10],"product_tag":[],"class_list":{"0":"post-105","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"book_author-anuarios-baquiana","7":"product_cat-anuarios-de-la-revista-literaria-baquiana-vp","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.baquiana.com\/bookstore\/wp-json\/wp\/v2\/product\/105"}],"collection":[{"href":"https:\/\/www.baquiana.com\/bookstore\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.baquiana.com\/bookstore\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/www.baquiana.com\/bookstore\/wp-json\/wp\/v2\/comments?post=105"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.baquiana.com\/bookstore\/wp-json\/wp\/v2\/media\/82"}],"wp:attachment":[{"href":"https:\/\/www.baquiana.com\/bookstore\/wp-json\/wp\/v2\/media?parent=105"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.baquiana.com\/bookstore\/wp-json\/wp\/v2\/product_cat?post=105"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.baquiana.com\/bookstore\/wp-json\/wp\/v2\/product_tag?post=105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}